Movie Review: The Bourne Legacy
The movie is directed and cowritten by Tony Gilroy, who not only wrote Michael Clayton but also the three earlier Bourne epics. He and his cowriter, brother Dan Gilroy, have given this one an ingenious, slow-build setup: its action unfolds parallel to the cloak-and-dagger shenanigans of The Bourne Ultimatum. Its ticking clock has Renner’s character desperately needing to get his hands on the mind- and body-altering pills that not only keep him kicking but also alive. Already, though, that pursuit packs far less power and mystery than Jason Bourne’s trying to discover who he is and then trying to make amends for it. Nevertheless, Renner’s quest sends him dodging drone-spewed missiles in remote Alaska, getting chased by a relentlessly focused assassin (Louis Ozawa Changchien) up, down, over and across the city of Manila on a motorbike and, in the best sequence in the whole picture, deliberately provoking a panicky near-stampede by assembly-line workers in a pharmaceutical company to camouflage a great escape for himself and hunted, weepy biochemist Rachel Weisz. Armed with sharp dialogue and a lot of talent, Renner and Weisz give their roles exceptional focus and weight, as do Broadway actors Donna Murphy and Corey Stoll as soulless CIA drones and Zeljko Ivanek as a run-amok lab rat. But the Gilroy brothers weigh down the good stuff with lots of talk, a lumbering backstory and unnecessarily baffling layers of treachery and double crosses.
Cinematographer Robert Elswit shot this thing with blue steel brilliance, but that can't disguise how overly familiar, too damn long and lacking in action the movie is. More fatally, Renner barely gets a chance to play even remotely human or emotionally engaging until very late in the game. In the end, The Bourne Legacy doesn't absorb and involve us deeply enough to make it worthy of its predecessors.
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